Exploring the Ultimate Action Legacy of ‘The Phantom’ (1996)

Remembering the off-beat, pulp-inspired ultimate mayhem that was The Phantom!

The Phantom was the best action movie that resulted from 1990s Hollywood’s brief love affair with the pulp and comic heroes of the 1930s. The studios at the time must have been trying to crossbreed two cash cows to guarantee lasting success: Indiana Jones and the rising appeal of comic book movies. The Phantom came in towards the end of this sub-genre’s popularity and audiences had already been there, done that by 1996. Still, the legacy of The Phantom lives on for action-adventure fans who love old fashioned practical stunts and a fun, well-paced story. Could the time be finally right to return to Skull Cave and help Billy Zane find the 22nd Phantom?

Well, yes of course it is! But first, let’s rewind and discuss what kicked ancient pirate ass and what almost flipped over a rickety rope bridge.

Also, why is it when our heroes roam around South Asia or Sub-Saharan Africa, there’s always an unstable bridge of planks and ropes that was engineered sometime in the mid-19th century that they feel compelled to cross?

Anyway, what primarily makes the Phantom and his criminal, piratical, and assorted exotic foes so endearing is that they were not only the first modern superhero/supervillains but the scope of the world has a time-tested, international appeal.

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The Ultimate Power of The Phantom

Although the Phantom technically doesn’t have any superpowers in the general sense, he relies on his strength, endurance, dual pistols, animal sidekicks, cunning, and even diplomatic skills to fight injustice wherever it may be. His secret hideout is in a cave where he stores his knowledge and vast riches…remind you of anyone? When I saw this movie as a teenager, I admittedly knew nothing of the decades-long run of The Phantom comic strips, books, or TV shows, so naturally I assumed the movie was a rip-off of Batman and Indiana Jones with a smattering of James Bond. Little did I know that The Phantom pretty much started it all. Oh, and he has proto-force powers that allow him to talk to past Phantoms for guidance. There’s something for every fandom to appreciate in the grand-daddy of all pop-culture franchises. 

With a fleshed-out backstory and legend combined with a volume of source material, there is a wealth of resources to make both interesting characters and engaging, action-packed storylines. Billy Zane’s likability and zeal for the character shine through, Treat Williams as the cheesy arch-villain is just having the time of his life, and Catherine Zeta-Jones has an interesting and underutilized femme fatale role. Even the other supporting characters are memorable and have their moments like James Remar’s Quill and Shang Tsung himself, Cary-Hiroyuki Tagawa who needed a much bigger role as the chief pirate of the Sengh Brotherhood. Kristy Swanson plays love interest Diana Palmer (basically Lois Lane) – but, eh. 

These charming characters see their fair share of action in a relatively fast-paced, globe-trotting narrative. Ok, who doesn’t like a good rope bridge scene? I’ve seen it a dozen times but it still works in this movie. Car chases, horse chases through the jungle, plane chases that wind up back on the horse, which are supplemented by plenty of punching, shooting, mystical laser beams, and even some light third-act swashbuckling keep you engaged throughout the 100-minute runtime. The set pieces are well crafted and have an old-school charm, which complement the practical stunt work and effects. This type of action and style lend well to the ultimate drive-in experience, which is one of my all-time favorite cinematic memories growing up.

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An Unfortunate Mix of Story and Tone

The overall story and tone is what likely put a lot of general audiences off and ended up killing the proposed sequels. Billy Zane was on board for Phantom 2 and 3 but it bombed hard making only $5 million of its $45 million budget on opening weekend. There was no more talk of sequels – that ghost had walked.

As far as tone: is it supposed to be an over-produced campy B-movie? Is the dialogue supposed to be that corny? Originally yes, and it was supposed to be a parody according to Joe Dante (Gremlins, Innerspace) who developed the first screenplay along with writer Jeff Boam, who coincidentally wrote Indiana Jones and the Last Crusade. In an interview with The Den of Geek, Dante was shocked that the filmmakers took many elements of the first spoof-y script and played the movie mostly straight. Honestly though, this is what makes The Phantom fun. These whacky, throwback elements feel like you’re watching a movie that was made in the 30s or 40s. The light-hearted feel and goofiness make this a highly entertaining and re-watchable summer flick today with a big bowl of popcorn and a sugary drink.

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What Does the Future Hold for The Phantom?

The Man that Cannot Die is bound to have a long-lasting legacy and perhaps in these dour times, we need him now more than ever. Forget the SyFy Channel’s stillborn attempt at a TV movie and series. For years there has been talk about a reboot with a writer at the helm but The Phantom: Legacy never seemed to get off the ground. From what little is known, the reboot would have been a character-driven father/son tale about Phantom 21 training up Phantom 22 to take his place. No word on ancient criminal organizations or air pirates. No wonder this lackluster logline never galloped out of the Bangalla jungle. That core character element is fine but we need equal amounts of action schlock to balance it out. How about this teaser:

The Phantom’s wife, Diana Palmer, and their two children died years ago under mysterious circumstances while he was in another country pummeling smugglers.  It’s now the 1950s and The Ghost Who Walks carries on his mission, and his guilt, but his age is catching up with him after he barely busts up a crooked mining operation near his jungle home. One of the goons escapes into an awaiting sea plane and the Phantom catches the tail markings. 

He tracks down the owner of a fleet of planes with similar marks: Catherine Zeta-Jones’s character Sala. You better believe they have a secret love child who may or may not be tied in with Phantom’s arch rivals, the Sengh Brotherhood. Along with the corrupt leader of Bangalla, I’m pretty sure they had something to do with his family’s deaths too. 

Can the Phantom save his son from a life of petty piracy, recruit a ragtag Air Force led by Sala, and organize a makeshift tribal navy to stop the Brotherhood’s explosively evil nuclear-related plans? Can he grow into this new family and carry on the Phantom legacy with his wayward son? Find out when Billy Zane dons the black and purple again in his next thrilling adventure!

The Phantom is streaming now on Amazon Prime Video! Billy Zane and Catherine Zeta, let’s talk – Phantom II: Rumble in the Jungle (alt. title: Phantom 2: Bangalla Boogaloo) and the extended cinematic Phantom-verse. We’ll be printing money and casting skull rings for years!

Jean-Claude Van Damme Unveils New Netflix Project ‘The Last Mercenary’

Van Damme’s new mystery project with Netflix is finally revealed – let’s check out THE LAST MERCENARY (2020).

Since posting a mysterious image on his Facebook page a few days ago featuring a silhouette of Jean-Claude Van Damme performing his famous action movie splits across the Netflix logo, we’ve all been wondering about this ultimate collaboration. Well, the answers are finally here! Van Damme and Netflix are partnering up for a new “action comedy” featured set to be titled The Last Mercenary. And it’s already shooting! Here’s what we know so far…

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Jean-Claude is The Last Mercenary

The title sounds straightforward enough, right? Plus we also know that the flick is being helmed by David Charhon and is set to also star a mostly French cast featuring Alban Ivanov, Assa Sylla, Samir Decazza, Patrick Timsit, Eric Judor and Miou-Miou.

Shooting for The Last Mercenary has already commenced and is currently working on location in France. The basics of the plot are as followed:

The film sees Van Damme plays a mysterious former secret service agent who must urgently return to the country when his estranged son (Decazza) is falsely accused of arms and drug trafficking by the government, following a blunder by an overzealous bureaucrat (Ivanov) and a mafia operation.

The rest of the main credits include being written by Charhon and Ismaël Sy Savané and produced by Jean-Charles Levy, Nicolas Manuel (Forecast Pictures), Olivier Albou, Laurence Schonberg (Other Angle Pictures), David Charhon, Jakéma Charhon, Eponine Maillet (Mony Films), Olias Barco, Vlad Riashyn (Apple Tree).

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Van Damme Speaks on the Project

From the press release details, Van Damme provides some further insights into The Last Mercenary, as well as working on a project that can properly balance action and comedy to his liking.

“The Last Mercenary is an incredibly exciting project and allows me to take on a new genre. I’ve always been a fan of Jean-Paul Belmondo and I hope to take up the torch of action comedy in my own way. David Charhon’s script brings all these elements together in a very successful way – a beautiful story with emotion, a lot of action and a lot of humour.

I’m also very happy to work alongside a new generation of talent such as Alban Ivanov, Assa Sylla and Samir Decazza, but also to be reunited on screen with the creme de la creme of French actors such as Patrick Timsit, Eric Judor, Miou-Miou and Valérie Kaprisky.”

We also get Charhon going on to provide quotes praising Van Damme and his 80s and 90s action movie classics, which is a good sign for any Ultimate Action Movie fan.

“I want to return to the great tradition of action films of the ’80s and ’90s — those cult films we all love where the heroes were out of the ordinary, the stunts were all more impressive and truer than life, and all punctuated with humour. Only Jean-Claude could embody this unparalleled golden age of cinema.”

Along with a quote praising both JCVD and Charhon from the Netflix France creative manager Gaëlle Mareschi on the hopes from bringing this project together.

“We are very excited to welcome the great legend of action cinema, JCVD, in tandem with the inexorable Alban Ivanov, surrounded by a myriad of great French talent, all in an extremely fun and original film proposition orchestrated by David Charhon.”

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So, How Ultimate Might The Last Mercenary be?

While the news of a new Van Damme movie is always ultimate in our book, this one in particular seems quite intriguing – if not at least a bit hard to put a finger on what it might eventually be. Instead of going, say, the Scott Adkins route Van Damme is shooting internationally and with a regional director, cast and crew who might be perhaps unknown to most mainstream action movie audiences.

But… this could be a good thing! And as far as the action-comedy tag, based on the critical success and strength of Van Damme’s improved comedy acting chops from the Amazon Prime series Jean-Claude Van Johnson, if it continues in the same vein it could be quite enjoyable and awesome.

We’ll wait and see how this project develops as it shoots during strange COVID-19 production times, as well as how it might eventually be released or straight to Netflix channels worldwide.

Seized: First Trailer for Another Scott Adkins and Isaac Florentine Banger!

Scott Adkins and Isaac Florentine are back in another ultimate action smash-fest with this first trailer for ‘Seized‘ (2020).

This is it, folks. The big one we’ve been waiting for. Not even a week separated from the release of his newest film Legacy of Lies, we finally get the trailer for Seized, the film that reunites Action titan Scott Adkins with his most celebrated collaborator, Isaac Florentine.

It has been a while since we’ve seen these two together, so news of the reunion  brought major excitement. And now we have our first look at the film, and judging from the trailer, they haven’t missed a beat!

This one looks to be action packed, and you know with Adkins and Florentine, it’s gonna be a doozy!

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Scott Adkins in Seized

 

So, what do you guys think?? Another winner from the De Niro/Scorsese of Action?? Give us your feedback in the comments below!

Seized will be released on DVD and Digital November 2020.

Remembering Godfrey Ho’s ‘The Dynamite Shaolin Heroes’ (1977)

An ultimate exploration into Godfrey Ho’s under-appreciated Kung Fu martial arts classics!

On a recent Saturday I decided to try my next Godfrey Ho film: The Dynamite Shaolin Heroes (1977) [Original Chinese title: Long quan xiao zi]. A Hong Kong Kung Fu movie directed by Godfrey Ho (credited here as Ho Chi Keung and, confusingly, as Walter Lee in the English dubbed version). His long-time collaborators Joseph Lai and Tomas Tang are producers. Besides Asso Asia Films, this was the first movie by production company Filmark International Ltd. The Dynamite Shaolin Heroes stood out among Godfrey Ho’s immense back catalogue for its high rating on IMDb. A fact that provided all the convincing I needed, to choose this film. I certainly don’t know enough about Kung Fu movies to use other, better selection criteria.

An Introduction to Godfrey Ho and ‘The Blazing Ninja’ (1973)

UAMC Reviews The Dynamite Shaolin Heroes

The Dynamite Shaolin Heroes turned out to be historically set. In fact, the first historical Kung Fu movie I’ve seen while trawling through Godfrey Ho’s old films. From what I can tell, it’s set during a rebellion after the fall of China’s Ming dynasty. That would place it during the 17th Century. In this brazenly political story, the good guys are Ming loyalists, seeking to restore the Dynasty. The bad guys are on the Government’s side, seeking power. None of that sounds cool or appealing. Fortunately, all you need to know is this: Besides a romantic sub plot, the story has a mysterious Lotus man, swooping in on wires to beat up bad guys whenever during moments of peril.

At this point, I’d like to tell you who the actors are and what roles they play, but I can’t. According to IMDb, The Dynamite Shaolin Heroes stars Lieh Lo, Bong Choi and Sung Kyu Choi. Most of whom are credited on-screen with Anglicised aliases. Information on this film is so scarce, I have no way of matching one set of names to the other, nor to the characters they play. Another mystery is the involvement of South Korea. Whether it was financing, people or filming locations, I don’t know because I’ve not seen it written down anywhere. There may be someone out there who knows the answers to these puzzles, but that person isn’t me.

Bruce Lee: The Big Boss of Ultimate Martial Arts Action

Regarded as One of Godfrey Ho’s Best Works

There’s a lot I enjoyed about The Dynamite Shaolin Heroes. The story, characters and plot are more well-rounded than they were in The Blazing Ninja (1973). The pacing is also much better, with more fights throughout. Those fights are often bigger and better, with more people and weapons including sticks and swords. The best scenes are those with the Lotus man, who dresses in white and hides his identity under a conical straw Chinese coolie hat. An appearance that reminds me of the lightning shooting man in Big Trouble in Little China (1986) and the character Raiden from the video game Mortal Kombat (Midway, 1992). This guy must be the titular “Shaolin Hero”. Besides all that, this movie has more of the 1970’s Kung Fu cliches that I enjoy so much. The checklist this time included:

  • The aforementioned Raiden-like Shaolin character
  • Old man with long, white beard, moustache and hair
  • Low quality English language dubbing
  • Overuse of “chop”, “thwack” and “swoosh” sound effects during fights
  • Scratchy, grainy and faded film

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But, How Ultimate is it?

The main downside of The Dynamite Shaolin Heroes is the setting and story. Presumably this period of Chinese history means something to Chinese people. For me however, I struggled to grasp what was happening and why. Scenes where the dialogue dwelt on the post Ming dynasty political situation really dragged. Too often you wish it would cut the drama and return to more fight scenes. Lastly, there’s the misleading English language title. The Dynamite Shaolin Heroes has no dynamite. At least not in the literal sense. Nor are there Shaolin heroes. There is one Shaolin hero. Not a squad of them. Come to think of it, a squad of dynamite wielding Shaolin heroes could make for an epically cool movie.

Overall, I enjoyed The Dynamite Shaolin Heroes despite its flaws. The end has moments of brilliance. And most importantly, it delivers a decent quantity and quality of cheesy Chopsocky action. Recommended if any of what I described above appeals to you.

Article by: Hywel Price-Evans who currently works in the Artificial Intelligence R&D Department at Cyberdyne Systems. His hobbies include developing military control systems to Skynet, and discovering obscure action movies from the home video era.

This article is a follow up on the author’s original review on the Ultimate Action Movie Club sub-reddit which can be found here, be sure to follow our weekly “What Did You Watch?” /r/UAMC discussion here!

First Trailer for ‘Sudden Death’ Remake ‘Welcome to Sudden Death’ Drops!

Michael Jai White teaming up with martial artist Marrese Crump… yes please!

When news broke out that they were remaking Sudden Death, one of my all time favorite Jean-Claude Van Damme movies, I was obviously perturbed. How can you remake greatness? But then, it was announced that it would not be a remake, but a sequel, and Michael Jai White would be the star. After that, I was like “Ok, that could work.” 

Add to that Marrese Crump, the exceptional martial artist who battled Tony Jaa in The Protector 2, and color me sold. Now, we have our first look at the new trailer for the film, titled Welcome to Sudden Death. Take a peak:

Sudden Death: When Jean-Claude Van Damme Checked Die Hard

Welcome to Sudden Death Trailer

I think it looks like it could be a fun time. How about you? Share your thoughts below! 

Welcome to Sudden Death releases September 29th on DVD and Digital.

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Scott Adkins Goes Ultimate Espionage Thriller in ‘Legacy of Lies’

Is there anything this guy can’t do at this point?

I’ve stated many times before how Scott Adkins deserves to be the biggest action star in the world. So much so that you’re probably tired of hearing about it, but I don’t care. I’ll say it as much as I want, and I’m going to keep saying it until he gets his due.

Now, Scott seeks to prove that very case with Legacy of Lies, his newest film from director Adrian Bol.

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Scott Adkins in Legacy of Lies (2020)

An ex-MI6 agent is thrown back into the world of espionage and high stakes to uncover the shocking truth about operations conducted by unknown secret services.

If there’s any movie that proves Scott’s worth as a leading man in big budget blockbusters, this is it. This is without a doubt the best looking movie Scott has done so far. Director Bol and his cinematographer Simon Rowling drench the film in a beautiful aesthetic, reminding me of the look of movies such as John Wick & Atomic Blonde.

Scott himself plays his most complex character yet; Martin Baxter, a defeated man who must regain his honor as he tries to save his young daughter from the brutal  underbelly of the world he used to reside in, and he plays Martin fantastically. Seeing him convey all the emotional complexity that a character like this requires proves he is the action genre’s most definitive leading man. Hollywood, please do the right thing, and give this man his big budget blockbuster.

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A Cross Between Commando and Jason Bourne

He is aided by the excellent story crafted by director Bol, who also scripted. Falling somewhere between Commando and The Bourne films, this is a damn great espionage story with twists and turns at every turn. 

And yes, this is more of espionage thriller, so there’s not a whole lot of action, but when there is, it’s beautiful. The amazing Tim Man was the fight choreographer on this, and he gives us some exemplary beat downs, such as a cage match with Baxter early in the film, and an incredible one on one with Baxter and the character of Edwards, played by Leon Sua. These two give us such a lovely face off that you come to expect from a movie starring Scott Adkins. Great stuff.

We also get quite a few shootouts and car chases, where Scott gets to show off his inner John Wick. This is absolutely some of the best action filmmaking Scott has ever been involved with. Kudos to him and the rest of the cast and crew.

Scott Adkins Breaks Down Fight Scenes from Movies

Legacy of Lies Ending Explained

Are there any issues? Unfortunately, yes. The ending, or endings, leave you a bit perplexed.

*SPOILERS* Ok, here’s the lowdown: Martin’s daughter Lisa is kidnapped by Russian agents, and he has 24 hours to hand over a disc that contains top secret files or they will kill her. Helping him obtain the files is Sacha, the daughter of a Russian journalist, who Martin knew. She wants to expose the corruption and needs the files to do so. After they obtain the disc, they have an exchange on a bridge: Lisa for the files. A shootout ensues. Sacha escapes with the files, Russian agents get killed, and Martin is gunned down. 

We then cut to Martin, who has survived but is in really bad shape, in a rusty prison cell, where presumably he’s being kept as revenge for the files getting out, as well as to protect certain agencies’ secrets. After visiting, then reconciling with Martin, Lisa then explains to Trevor ( CIA agent who has been chasing Martin all movie) that she is in possession of top secret information that will be sent to “the right people” in the event something happens to her or Martin.

Cut to: After Sacha gives a speech on a news platform after she has exposed the files and the corruption, we see Lisa at a private school with Martin working the dining area, now released and fully recovered from his injuries. At night time, we see Sacha arrive at the door of Martin’s living quarters. She knocks, he opens the door, and after getting over his surprise, invites her in. Unfortunately, we see that Sacha has been followed by Russian agents, who are undoubtedly very angry about her exposé, and probably with Martin as well. A Russian official then gives the go ahead, and the agents to go after them. Fade to black.

Seriously, this movie ends like 5 times, and the one they picked to go out on was the worst one. It’s a bit of a cliffhanger, and I hate cliffhanger endings. I always say, never put the cart before the horse, and that’s exactly what they do here. It is what it is.

But other than that, I thought this movie was great, and the perfect example of why Scott Adkins should be headlining big budget Hollywood action movies. Hollywood producers, please take notice. This is who we want in our blockbusters. We want Scott Adkins. And we are not going to shut up about it until he’s in them. 

WE WANT ADKINS!!!

The Powers of Horror and Action Combine for ‘Tribal: Get Out Alive’

A solid genre mash-up with some very ultimate action!

Over the years, I have discovered that, as an ultimate action movie fanatic, I share a lot of the same taste in action with our fellow fanatics from Great Britain. The Brits truly have a love for the action genre as much as we do, and it shows. Matter of fact, they may love action movies more than we do.

Just to name a few, you have Edgar Wright, who proved it with his beautiful love letter to the action genre that was Hot Fuzz, Youtuber Rossatron with his fantastic video essays on all things action, and action phenom Scott Adkins has shown his appreciation for the genre over and over again in many of his films with frequent collaborators Isaac Florentine, and British action visionary Jesse V. Johnson. 

And just recently, British filmmaker Ross Boyask made the awesomely stunning throwback to 80s action I Am Vengeance: Retaliation starring former WWE wrestler, and fellow brit, Stu Bennett. Also, I can’t forget my good friend Eoin Friel over at The Action Elite

They truly love action movies, and love showing their appreciation for it. Now,  another British filmmaker, Matt Routledge, has stepped up to be the next one to present the beauty of the action genre in the badass action/horror hybrid Tribal: Get Out Alive.

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UAMC Reviews Tribal Get Out Alive


Tribal stars Zara Phythian and Ross O’Hennessy as members of a security firm who are hired to clear the property owned by a rich, obnoxious asshole. But, as the team makes their way through the vast, seemingly abandoned place, they realize they’re not alone… and the inhuman inhabitants don’t take too kindly to trespassers. Now, the team must engage in a brutal fight for survival to Get Out Alive.

Yeah, this movie rules! A full throttle, take no prisoners style flick that features just as many fervent chills as it does awesome thrills! Basically, my kind of jam. Director Matt Routledge, screenwriter Johnny Walker, and the entire cast and crew have put together the kind of movie I was bred to love, and I sure as hell loved this!

Playing like a cross between 28 Days Later, Aliens, & The Raid, Tribal manages to be an exceptional tribute to the kind of movies we grew up loving, while forging its own path to be a badass action/horror epic all its own.

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Awesome Horror Combined with Ultimate Action!

Routledge’s direction is a huge reason as to why this whole endeavor works. He packs the film with such a great deal of tension that is at times absolutely nail biting. He also perfectly visualizes the action, which garners him major points from me. Kudos to you, good sir.

That reminds me, the action. We get some bloody good action here. And when I say bloody… I mean BLOODY. Neck slashes, impalings, zombie bites, ripped off flesh, etc… This movie has the gory goods in spades. Brutal with a capital B. But don’t worry, the gore doesn’t overshadow the action, because Routledge (himself a martial artist) makes sure he satisfies the action crowd with some truly badass fight scenes.

Fights upon fights, Routledge showcases some excellent choreography throughout the proceedings that is performed phenomenally by his cast of performances. Particularly Zara Phythian.

The Powers of Horror and Action Combine for ‘Tribal: Get Out Alive’

But, How Ultimate is it?

Phythian, who I recently discovered earlier this year when she was featured in the documentary Real Men, is truly a force of nature. The level of asskicking this woman displays within this movie is enough to make any action fan fall in love. She is without a doubt the future of martial arts action stars. Hollywood, please take notice. We want Zara! 

All in all, this is the type of movie you should be watching right now. It was made for action lovers, by action lovers. And it is a thorough reminder why the action genre reigns supreme, no matter where you’re from. 

The Ultimate Rankings for the ‘Fast & Furious’ Franchise Movies

Our resident Fast & Furious expert ranks The Fast Saga films from ultimate to most ultimate!

Welcome to my coverage of the Fast & Furious franchise. I’ve been writing about them nonstop in the lead up to the next installment: F9. Now, that ended up being a moot point thanks to a certain virus which shall remain nameless. Fortunately that means we have time to reflect and rank. So, in honor of several more months until F9’s release here is a definitive ranking of the The Fast Saga franchise from best to worst.

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1) Fast Five (2011)

This is the movie that really launched a franchise. Everything else was warm up. This is when they made a shared universe, when they went balls to the wall on their stunts, and when they put everyone in the same room. By bringing the entire team together there were all kinds of personalities rebounding off each other in a vibrant and dynamic way. Add in the beautiful setting of Rio de Janeiro and the ridiculous heist scenes and you’ve got yourself a winner. I own this sucker on Blu-Ray.

Best Stunt: Paul Walker and Vin Diesel absolutely RAVAGE the streets of Rio de Janeiro with a one ton bank vault strapped to two street race cars. Vin Diesel then kills like twenty corrupt cops with a  BANK VAULT. I’d never seen anything like it and I never will again.

Most Ridiculous: The aforementioned bank vault. A one ton vault should NOT move the way it does and yet…

Fast Five: A New Ultimate Heist Franchise Emerges

2) Fast & Furious 6 (2013)

Hot on the heels of the wildly successful fifth entry the team reunites for ‘one last ride.’ This time they’re engaged in international espionage trying to prevent some macguffin from being stolen by a big baddy. In this one the crew fights their anti-selves and Han & Gisele fall in love. With all the elements from before but higher stakes and faster cars you have to love its bombastic elements. Bonus points for Letty coming back from the dead. It’s also the last time you’ll see the whole crew together in its original form.

Best Stunt: Three cars shoot grappling hooks into an airplane’s wing and bring it crumbling down while Vin Diesel and The Rock pummel bad guys inside.

Most Ridiculous: Vin Diesel rams his car into the guard rail thus launching himself into the air and perfectly catching Letty Ortiz in the sky and subsequently landing on the hood of a car without breaking a single bone. Physics don’t work like that.

Fast & Furious 6: The Fast Saga Goes Full Superhero Action

3) The Fate of the Furious (2017)

We get to see this new iteration of the crew take on a new adventure after major changeups from the film before. It feels much more like the Team Toretto dynamics we adore paired with an incredibly icy Charlize Theron villain, Cipher. This movie finally cements a weird continuity between all the movies and gives us something to appreciate of Jason Statham’s character. I love the zombie car idea and even the early race in Cuba sets a gold standard for Fast content. Their globetrotting continues, this time going to Greenland of all places.

Best Stunt: Hundreds of Cars pile up on an armored limo, controlled by Cipher remotely and zoom across the streets of New York.

Most Ridiculous: Same thing. You really think there’s no such thing as traffic in New York?????

The Fast Franchise Reaches its Final Form in ‘The Fate of the Furious’ (2017)

4) The Fast and The Furious (2001)

Humble origins. Moody vibes. Vin Diesel stealing DVD players out of eighteen wheelers. It feels very much like the California movie of its time. It managed to borrow heavily from Point Break without ever feeling like Gone in Sixty Seconds. It’s weirdly invested in character for an action movie and these days feels incredibly low stakes. Still, you have to respect Paul Walker’s braggadocio and Vin Diesel’s looming menace.

Best Stunt: Vince hangs off the side of an eighteen wheeler while its driver attempts to shoot him with a shotgun and Diesel/Michelle Rodriguez try to save him.

Most Ridiculous: Looking back the idea that they were stealing DVD players to offload on to the streets? Not even drugs. Just- DVD players…. Weak sauce if you ask me.

The Long and Winding Road of ‘The Fast and the Furious’ Franchise

5) The Fast and the Furious: Tokyo Drift (2006)

This movie ranks so high up because it gave us three things: Justin Lin, Chris Morgan, and Han Seoul-oh. The epitome of cool meets an Alabama boy moved to Tokyo. With a soundtrack all its own and impressive car stunts everyone admired Tokyo Drift even if they couldn’t explain it. Just low stakes enough for us to appreciate the Yakuza-adjacent gangsters and ignore some of its more obvious shortcomings it still demonstrates Lin’s adept direction and camera department as well as his emphasis on practical stunts. Also, the Vin Diesel cameo at the end guaranteed sequels and this makes it an important stepping stone.

Best Stunt: that final car race down a steep hill in Tokyo Drift wins all the merit it deserves for being nerve-wracking. Cars glide in a manner we didn’t know was possible.

Most Ridiculous: Sean Boswell’s character ‘Lucas’ isn’t just outright murdered by a Yakuza ganglord for insulting his nephew. 

An Ultimate Look Back at ‘The Fast and the Furious: Tokyo Drift’

6) The Fast & The Furious Presents: Hobbs & Shaw (2019)

It’s dumb. It’s goofy. It’s an exercise predicated on a handful of scenes from the previous two movies. It helps show weak franchise legs and spinoff potentials while upping the ante as far as fights and stunts go. Johnson and Statham do a ton of heavy lifting but props go out to Idris Elba and Vanessa Kirby for holding their own against the infamous bald meatheads. The split duo aesthetic guided this movie from start to finish but often times its too smart for its own good and does some unnecessary work cracking jokes. Still, its entertainment incarnate in that I don’t remember this movie perfectly anymore and could easily watch it in installments. Not bad, just not- exciting.

Best Stunt: Statham drives an eighteen wheeler literally chain-hooked to a helicopter and when they get yanked into the sky several more eighteen wheelers chain-hook on to them creating a train of flying eighteen wheeler rigs literally just hanging out in space.

Most Ridiculous: in that exact same sequence The Rock grabs the chain with his bare hands and just kind of holds a helicopter to a chain tether. But…. This movie has a litany of these moments so ignore this comment.

Fast & Furious: The Insane Escape-ism of Hobbs & Shaw

7) Fast & Furious (2009)

This movie has a lot on its plate to handle. With Letty written off and a return to the Toretto story it had to return audiences to this universe without jarring too thoroughly. It can’t take too many forward steps (hence the drug running story) but it has to push forward (hence the addition of Gal Gadot.) It’s not an inherently bad movie it just makes a few criminal errors. 1. It wastes Gadot terribly. She’s relegated to ‘flirty girl’ the entire time and does nothing. 2. Its finale happens in a dark cave with little sense of spectacle or geography. It’s locked into a squat finale with such simple action. Coming off of the high of Tokyo Drift this movie pales in comparison but it does do the work of setting up Fast Five and thus earns its mark as simply a franchise entry and not a ‘franchise notable.’ Minus points too for the incredibly confusing name.

Best Stunt: Paul Walker launches a car right into an evil bad guys body, crumpling him under the weight of an entire car.

Most Ridiculous: that you can cross the Mexico-US border with precision drivers in STREET RACE CARS. They’d need like insane tires to get traction on all that dirt, not to mention a crazy suspension.

Fast & Furious: From Underground Street Racing to Mainstream Action

8) 2 Fast 2 Furious (2003)

There’s nothing inherently WRONG with this movie per se but it does exist as a product of its time. Directed by John Singleton this movie does all the things people think of when they think of this franchise. Scantily clad women. Bombastic caricatures of humans. Ridiculous setups for even more ridiculous car stunts. Set in Miami this movie is worlds apart from everything else Fast related and one could be forgiven for skipping this movie entirely. It introduces so few people of import and really just demonstrates a lateral move for Paul Walker’s character. The best it gives us is Chris ‘Ludacris’ Bridges as an action star and I have to be thankful for that.

Best Stunt: the finale features Paul Walker launching his car onto a boat. Apparently that’s a THING that just happens in this franchise a lot.

Most Ridiculous: Paul Walker and Tyrese Gibson race two dudes for their cars and win. The dudes have to give up their cars. I’m sorry. What!? Tens of thousands of dollars and you just GIVE IT AWAY? Highly unlikely thank you.

2 Fast 2 Furious: Exploring the Sequel That Launched an Ultimate Franchise

9) Furious 7 (2015)

Seriously, who is naming these things? Such a confusing system. James Wan’s foray into the Fast franchise yielded something so hyperkinetic and disco strobe I genuinely loath it. The villains are entirely faceless (wasting Djimoun Hounsou AND Jason Statham is a crime). The gimmicks feel a little too macguffin-y for their own good. I know I should love it because they did a remarkable job writing off Paul Walker (a feat everyone thought they would fail.) Still, there’s a thousand needle drops and it’s overloaded with leery camera gazes (much more than your average Fast movie.) It’s the worst version of Fast and the thing people point to when they want to complain: Cars flying through skyscrapers in Abu Dhabi. Michelle Rodriguez fighting Ronda Rousey in floor-length gowns. It demonstrates summer action movies at their worst: over-bloated monstrosities filled to the brim with gimmicks and fast editing but completely lacking any form of substance up until the very last second. 

Best Stunt: Paul Walker and Vin Diesel launch a Lykan Hypersport through not one skyscraper but two before bailing out at the last minute and destroying terracotta soldiers in the process. OR several cars just parachute out of the sky and land on the highway immediately driving up to an armored convoy. 

Most Ridiculous: Backed into a corner Vin Diesel makes the bold choice instead of fighting his way through a phalanx of cars he just- falls off a cliff. With a reinforced chassis and powerful tires and insane seat belts he can do that but the fact that he chose to do it just seems utterly unconscionable.

Paul Walker’s Ultimate Legacy Abounds in ‘Furious 7’ (2015)

What do you consider the most ultimate installment of The Fast Saga? Which Fast & Furious feature is your personal favorite? Let us know in the comments below!

An Introduction to Godfrey Ho and ‘The Blazing Ninja’ (1973)

Exploring the ultimate martial arts Bruceplotation of Godfrey Ho with The Blazing Ninja.

I love hunting for obscure Ultimate Action Movies. The way I like discovering them is choosing a film-maker and watching movies from their back catalogue. Not knowing, when I press “Play”, if the film I’ve selected will be a masterpiece or barely watchable garbage. After sifting through the rubbish, I’m left with a few interesting artifacts and golden nuggets to share with you here. Think of it as a public service.

The action movie film-maker I chose to revisit this time, is Godfrey Ho. A now retired director from Hong Kong, born in 1948 as Chi Kueng Ho. Usually I return to directors who made something impressively awesome. Not this time. The only Godfrey Ho action movie I’ve watched is the notorious Bad Movie Robo Vampire (1988). The one with this infamous poster & cover art. Robo Vampire is not so much a coherent movie, as an assemblage of different films spliced together. Learning that Ho used that same cut-and-paste technique to become a big part of the 1980’s Ninja boom intrigued me.

The trashy exploitation posters and cover art sealed my curiosity. And I have a suspicion awesome and exciting cover art will be the best thing about some of these films. But where and how to begin? From his first film in 1973 to his last in 2002, he churned out 149 releases. Over his twenty-nine year career, that averages more than 5 films per year. In 1988 alone, he somehow released 39 different movies. Not far off one per week. Imagine being a Hong-Konger, trying to keep up with that year’s new releases.

COPYCATS! Robocop (1987) vs. Robo Vampire (1988)

The Illustrious Career of Godfrey Ho

At the rate of one a week, it would take me nearly three years to watch them all. That would be bananas. Clearly I need to be smart and picky with Godfrey Ho’s back catalogue. Glancing through Godfrey Ho’s substantial IMDb page, it looks like you can divide his work into three eras:

  • Respectable quality Hong Kong Kung Fu
  • Cheap 1980’s action movies with Western export in mind. These are where the cut-and-paste exploitation movies can be found, and what I’m most looking forward to
  • Then back to reasonably budgeted martial arts in the 1990’s, seemingly intended mainly for his home market

Because I know almost nothing about classic Kung Fu, I want to sample at least a small number of them. For the avalanche of cut-and-paste action movies, I’ll aim to try whatever catches my interest. Outrageousness of the cover art and IMDb rating will play a part in that selection. Armed with this game-plan, I’m both looking forward to, and dreading this. Now let’s start!

UAMC Interview: Don Niam talks about Undefeatable (1993)

Diving into The Ultimate Blazing Ninja

On Saturday I started with Godfrey Ho’s very first movie: The Blazing Ninja (1973). Partly because the beginning is a good place to start. But mostly because of the cool title. The producers included Joseph Lai and Tomas Tang, whom I gather Godfrey Ho would work with for a long time to come. It stars Yi Tao Chang (credited as Philip Cheung), Sony Tanaka and Ronny Lee, none of whom I’ve ever heard of. The story is something to do with Chinese rebels and Japanese bad guys.

The film opens with a character wearing a black-and-yellow jumpsuit like that work by Bruce Lee. A fact puts The Blazing Ninja in the Bruce Lee Exploitation category of movies, called Bruceploitation. Despite this being the first classic era Hong Kong Chopsocky I’ve ever watched, I instantly enjoyed it. Fights were breaking out every few minutes for no reason whatsoever. Many Seventies Kung Fu cliches were present including crash zooms; incongruous and badly dubbed English language; the punch and kick sound effects; grainy and poorly transferred film and a funky soundtrack that was probably bootlegged from other movies. Yes, I know these are flaws I’m not supposed to like. Yet they added to my enjoyment.

Then, around half way through, The Blazing Ninja lost nearly all momentum. The fighting mostly stops to be replaced by drama and story. Neither of which hold up. The acting is too poor to carry the drama. The story is hard to follow nonsense. Then there’s the blatant anti-Japanese sentiment which caught me by surprise. The title was misleading as were the ninja. There was no ‘blazing ninja’. Instead there was a small group of Japanese henchmen who were referred to as ninjas.

Bruce Lee: The Big Boss of Ultimate Martial Arts Action

But, How Ultimate is it?

Disappointingly, none of these so-called ninjas wore the customary ninja costume, nor did they do any recognisably ninja stuff. Clearly the classic ninja formula hadn’t yet evolved when this film was produced. The ending is also surprisingly abrupt, with a simple “THE END” title card. No closing scenes. Not even end credits. Maybe this is normal for Hong Kong films from this time. I’ll find that out as I watch more of them.

On balance, The Blazing Ninja isn’t bad. I enjoyed the entertaining cheesiness, and the faults and flaws made it unintentionally funny. However, the dramatic elements dragged the pace down too much for me to wholeheartedly recommend it. As a first commercial release by an inexperienced production team, it’s a commendable first try. Whatever they made next, I hope involved more fighting and less drama.

Article by: Hywel Price-Evans who currently works in the Martian turbinium mining sector. He is passionate about cutting off the oxygen supply to Martian colonists, and discovering obscure action movies from the home video era.

This article is a follow up on the author’s original review on the Ultimate Action Movie Club sub-reddit which can be found here, be sure to follow our weekly “What Did You Watch?” /r/UAMC discussion here!

First Trailer for Megan Fox-led Actioner ‘Rogue’ Drops

Not Even the Pandemic Can Stop M.J. Bassett!

Megan Fox is back! Anyone from my generation can remember her as the hypersexualized woman from the Transformers movies. During the pandemic a tweet thread surfaced demonstrating why Fox left the big screen for a good long while. The good news is, after a short hibernating period, we have NEW Megan Fox projects and it looks like she’s going the Charlize Theron route with her leading role in Rogue (2020).

6 Underground: Giving Michael Bay A Fair Shake

Megan Fox in Rogue

Rogue features Megan Fox leading an elite unit of soldiers on a rescue mission in Africa. When things go wrong not only do they have to kill a gang of rebels they are also being stalked by a “horde of ravenous, enraged lions they encounter.” Knowing M.J. Bassett’s credentials as a horror director there are strong horror vibes here, but ya know, with lions.

This thing bears all the hallmarks of those straight-to-DVD action flicks Lionsgate makes a living off of. Sometimes those things pan out, but more often than not they’re a mess – even for their action. They’re never bad. They’re simply the lowest common denominator of action movies. I’d watch this thing mostly out of curiosity to see Megan Fox back in action (sans CG Ninja Turtles.) She’s got a handful of projects coming out now or soon and seems to have more control over her career. I hope this movie helps distance her from the “troubled motorcycle girl” she played in TWO Transformers movies. As for the director…

Set It Off: The Best Bank Heist Movie You’ve Never Seen

M.J. Bassett Brings the Action!

M.J. Bassett’s bona fides seem legit. Did you know she started as a nature photographer and documentary maker? Combine that with a resume stacked full of these kinds of movies and this seems like the perfect amalgam of content for her. I mean we’re talking episodes of Ash vs. Evil Dead, Power, Iron Fist. She’s got the credits for Solomon Kane (a movie I saw at Blockbuster a LOT but never got around to watching) and the infamous Silent Hill: Revelation. Was that really that big of a movie? Is that some major international selling point? I’ve never played the game nor seen the movies so I may be out of the loop on this one.

Anyways, Rogue drops August 28 – normally the dead zone for summer movies as we’re all wiped out from Blockbusters. Now that Tenet isn’t coming out soon we’ll have to content ourselves with this movie just to scratch some sort of itch. Think it’ll be a good drive-in movie? I’d really love to go to the drive-in and NOT catch Trollz World Tour if I can help it.